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Although the content is not hugely informative this is more than made up for by the spectacle of well shot film. Eric Bana makes his directorial debut with this documentary about his biggest obsession: his Ford XB Falcon Coupe, aka “the Beast.” 32. A film about typography, graphic design and global visual culture. There is a large page of Notes on The Taking of Pelham 1-2-3 (1974) which is too long to include in this review, but breaks down each of the subway scenes in the film.

Pages: 264

Publisher: Greenwood (November 20, 1995)

ISBN: 0313284385

Public Television: Politics and the Battle over Documentary Film (Communications, Media, & Culture)

Cinematic Appeals: The Experience of New Movie Technologies (Film and Culture Series)

Sinophone Cinemas

Documentary: Witness and Self-Revelation

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The Cinema of India (24 Frames)

The Mad Hot Adventures of an Unlikely Documentary Filmmaker

Useful Cinema

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Splice Splice (Volume 6, Issue 3)

Writing Docudrama: Dramatizing Reality for Film and TV

Documentary Films in India: Critical Aesthetics at Work

The Crash Controversy

The Cinema of Terrence Malick: Poetic Visions of America, Second Edition (Directors' Cuts)

The Cinema of David Lynch : American Dreams, Nightmare Visions (Directors' Cuts)

Filmmaking for Change: Make Films That Transform the World

Hitchcock's Romantic Irony (Film and Culture Series)

The Cinema of Raúl Ruiz: Impossible Cartographies (Directors' Cuts)

Films You Saw in School: 1,153 Classroom Educational Films, 1958-1985

Romuald Karmakar (Filmmuseumsynemapublikationen)

The Cinema of the Coen Brothers: Hard-Boiled Entertainments (Directors' Cuts)

Studying British Cinema: 1999-2009

Japanese Documentary Film: The Meiji Era Through Hiroshima (Visible Evidence)

Writing, Directing, and Producing Documentary Films and Digital Videos

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